Last night was the opening for Ink, the summer group show I'm in at Gallery Joe. The place was packed, and it was great to see so many people who I like at the opening. There is some beautiful work in the gallery right now.
I especially like this little piece by Roland Flexner.
While I was at the opening I talked about rapidographs with Astrid Bowlby while I looked at one of her fabulous obsessive drawings, and then I moved over to look at another piece and found myself reading the text of a conversation about pens. "Is that a rapidograph?" I read. It was drawn in a cartoon speech bubble on the last page of a huge accordion book that was full of text and partial sketches that were done by an artist I wasn't familiar with.
It turns out that the book is one of many that Martin Wilner made while he recorded conversations he hears on the public transportation in New York. Martin has volumes and volumes of transit drawings. The one I saw is, I think, number 134. Collectively, they're called The Journal of Evidence Weekly.
I asked him about the problems of drawing in public and he said modestly that he has figured out how to be unobtrusive and that he hasn't been hassled for years. At least not in the last seven years, he added. Before that, he said...(insert gruesome story here.)
His work is amazing. You can see pictures of other journals in the project here, but it's much better to check out the piece in person at Gallery Joe if you get a chance. There is tons of lovely stuff on view- it's a swelligant show. The exhibition is up until July 28th.
Journal of Evidence Weekly Vol. 127.
In addition to seeing lots of nice people and experiencing an odd pen coincidence at the opening, I found out that Lori Hill of the Philadelphia City Paper said nice things about my work in her preview of the exhibition. Which is always swell.